Te Kura Toi a Hoahoa/School of Art & Design, Te Ara Auaha/Faculty of Design and Creative Technology, Te Wānanga Aronui O Tamaki Makau Rau/AUT University, Private Bag 92006, Auckland 1142, Aotearoa, New Zealand
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Total article views: 1,311 (including HTML, PDF, and XML)
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875
362
74
1,311
89
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HTML: 875
PDF: 362
XML: 74
Total: 1,311
BibTeX: 89
EndNote: 154
Views and downloads (calculated since 12 Sep 2025)
Cumulative views and downloads
(calculated since 12 Sep 2025)
Total article views: 538 (including HTML, PDF, and XML)
HTML
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BibTeX
EndNote
387
117
34
538
39
40
HTML: 387
PDF: 117
XML: 34
Total: 538
BibTeX: 39
EndNote: 40
Views and downloads (calculated since 11 Mar 2026)
Cumulative views and downloads
(calculated since 11 Mar 2026)
Total article views: 773 (including HTML, PDF, and XML)
HTML
PDF
XML
Total
BibTeX
EndNote
488
245
40
773
50
114
HTML: 488
PDF: 245
XML: 40
Total: 773
BibTeX: 50
EndNote: 114
Views and downloads (calculated since 12 Sep 2025)
Cumulative views and downloads
(calculated since 12 Sep 2025)
Viewed (geographical distribution)
Total article views: 1,311 (including HTML, PDF, and XML)
Thereof 1,249 with geography defined
and 62 with unknown origin.
Total article views: 538 (including HTML, PDF, and XML)
Thereof 499 with geography defined
and 39 with unknown origin.
Total article views: 773 (including HTML, PDF, and XML)
Thereof 750 with geography defined
and 23 with unknown origin.
This article explores how languages of dilution and trace, surrounding the release of treated wastewater from Fukushima Daiichi into the Pacific Ocean, conceal eco-cultural violence. It explores this language by examining how photographic images and their meanings are socially constructed. The paper focuses on analogue photographs developed with seaweed gathered from contaminated currents; as seaweed absorbs radiation, the film becomes a material witness of diluted tritium.
This article explores how languages of dilution and trace, surrounding the release of treated...