Te Kura Toi a Hoahoa/School of Art & Design, Te Ara Auaha/Faculty of Design and Creative Technology, Te Wānanga Aronui O Tamaki Makau Rau/AUT University, Private Bag 92006, Auckland 1142, Aotearoa, New Zealand
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Total article views: 1,125 (including HTML, PDF, and XML)
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759
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53
1,125
71
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HTML: 759
PDF: 313
XML: 53
Total: 1,125
BibTeX: 71
EndNote: 138
Views and downloads (calculated since 12 Sep 2025)
Cumulative views and downloads
(calculated since 12 Sep 2025)
Total article views: 410 (including HTML, PDF, and XML)
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306
85
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410
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27
HTML: 306
PDF: 85
XML: 19
Total: 410
BibTeX: 23
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Views and downloads (calculated since 11 Mar 2026)
Cumulative views and downloads
(calculated since 11 Mar 2026)
Total article views: 715 (including HTML, PDF, and XML)
HTML
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BibTeX
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453
228
34
715
48
111
HTML: 453
PDF: 228
XML: 34
Total: 715
BibTeX: 48
EndNote: 111
Views and downloads (calculated since 12 Sep 2025)
Cumulative views and downloads
(calculated since 12 Sep 2025)
Viewed (geographical distribution)
Total article views: 1,125 (including HTML, PDF, and XML)
Thereof 1,082 with geography defined
and 43 with unknown origin.
Total article views: 410 (including HTML, PDF, and XML)
Thereof 384 with geography defined
and 26 with unknown origin.
Total article views: 715 (including HTML, PDF, and XML)
Thereof 698 with geography defined
and 17 with unknown origin.
This article explores how languages of dilution and trace, surrounding the release of treated wastewater from Fukushima Daiichi into the Pacific Ocean, conceal eco-cultural violence. It explores this language by examining how photographic images and their meanings are socially constructed. The paper focuses on analogue photographs developed with seaweed gathered from contaminated currents; as seaweed absorbs radiation, the film becomes a material witness of diluted tritium.
This article explores how languages of dilution and trace, surrounding the release of treated...