Te Kura Toi a Hoahoa/School of Art & Design, Te Ara Auaha/Faculty of Design and Creative Technology, Te Wānanga Aronui O Tamaki Makau Rau/AUT University, Private Bag 92006, Auckland 1142, Aotearoa, New Zealand
Viewed
Total article views: 1,147 (including HTML, PDF, and XML)
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Total
BibTeX
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775
317
55
1,147
72
138
HTML: 775
PDF: 317
XML: 55
Total: 1,147
BibTeX: 72
EndNote: 138
Views and downloads (calculated since 12 Sep 2025)
Cumulative views and downloads
(calculated since 12 Sep 2025)
Total article views: 424 (including HTML, PDF, and XML)
HTML
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BibTeX
EndNote
315
88
21
424
24
27
HTML: 315
PDF: 88
XML: 21
Total: 424
BibTeX: 24
EndNote: 27
Views and downloads (calculated since 11 Mar 2026)
Cumulative views and downloads
(calculated since 11 Mar 2026)
Total article views: 723 (including HTML, PDF, and XML)
HTML
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XML
Total
BibTeX
EndNote
460
229
34
723
48
111
HTML: 460
PDF: 229
XML: 34
Total: 723
BibTeX: 48
EndNote: 111
Views and downloads (calculated since 12 Sep 2025)
Cumulative views and downloads
(calculated since 12 Sep 2025)
Viewed (geographical distribution)
Total article views: 1,147 (including HTML, PDF, and XML)
Thereof 1,085 with geography defined
and 62 with unknown origin.
Total article views: 424 (including HTML, PDF, and XML)
Thereof 385 with geography defined
and 39 with unknown origin.
Total article views: 723 (including HTML, PDF, and XML)
Thereof 700 with geography defined
and 23 with unknown origin.
This article explores how languages of dilution and trace, surrounding the release of treated wastewater from Fukushima Daiichi into the Pacific Ocean, conceal eco-cultural violence. It explores this language by examining how photographic images and their meanings are socially constructed. The paper focuses on analogue photographs developed with seaweed gathered from contaminated currents; as seaweed absorbs radiation, the film becomes a material witness of diluted tritium.
This article explores how languages of dilution and trace, surrounding the release of treated...